Roppongi Hills
Before we get to the picture, lemme tell you 'bout
Roppongi, a district of Tokyo. Japanese call foreigners
'gaijin' which means, literally, 'outside people.' I've
heard Roppongi characterized as The Land of Gorgeous
Gaijin.
There's two types of gaijin in Japan -- those like me
who're fascinated by the country, and love travel and living
there; and people on business who like it as not would rather
not. A standard of popular Western entertainment involves the
travails of the latter; "Lost in Translation" is merely the
most recent -- like "Shogun," it's the pleasant type which
shows the travelers' growth, from ignorant disinterest to
appreciation of things Japanese. As we're all more cosmopolitan
this type of story gets harder to do; now that we've all become
accustomed to things like raw fish, all that's left is tales of
the unexpected warm jet in the high-tech toilet seat, or (as in
"Lost") mockings of the Japanese accent. But anyway -- for some
reason the Roppongi district of Tokyo has become a gaijin ghetto,
where lots of young, good-looking foreigners can be found,
who've snagged employment in the entertainment field (either
on-screen or in hostess bars) and my understanding is, these
are generally people in the second category, they're just
there to do a job.
So, sure, I've been to Roppongi, but avoid it 'cause that's
not what I'm there for -- I'm overseas to get away from
American voices -- but to lots of tourists, it's a magnet,
'cause they've heard about it from fellow travellers, maybe
even know somebody there. But besides a lot of nightclubs
(like Gas Panic, everybody knows that one) and the corner
with the Almond Coffee Shop (its pink-and-white stripped
awning being a traditional meeting point) there's nothing
there of note, until now.
Something new and big called Roppongi Hills has just
opened, so naturally I had to check it out. I'd only
allocated a little time, just enough for a quick dash-through,
and I hardly scratched the surface, but was amazed to find an
exterior plaza littered with the same
Smiley-Daisies I'd seen just the week before, in sheets
of stickers at the new San Francisco
Giant Robot store, located
around the corner from Amoeba Records in the Haight. The daisies are
the creation of 'Superflat' artist Takashi Murakami (more: his
Kaikai
Kiki Factory). One boutique's name gave me pause:
"White Trash Charms Japan."
For more info about Roppongi hills, see this
article
in Metropolis, and an
article
in the special "Japan Rules OK!" issue of Time (Asia
edition, June 2003) which featured an
image
gallery.
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